Or is the hype about the hype keeping us from seeing the real picture? The collateral benefits of this loopy, vulgar, and altogether overheated New York art moment.
By Jerry Saltz
I love art and the art world, but lately, I can see why the Gavin Brown gallery has a new Website called NewYorkIsDead.biz. The site’s creators say that “nothing’s moribund; energy still abounds. But its timbre is strange.” Just how strange can be seen, as never before, when the bullshit machine runs at full steam; students charge $25,000 for paintings; the M.F.A. (as Daniel Pink notes) is the new M.B.A.; and “the system,” as David Hammons observed, “is making people offers they can’t refuse when it should be making them offers they can’t understand.”
A large chunk of the art world seems to have drunk the Kool-Aid, too. Megacollectors suppose they can enter art history by spending astronomical amounts. They’re P.T. Barnums, showmen and -women who have become part of the show. Read more