« In the choice of seminal image, The Raft of the Medusa­.Hu ­obviously draws a parallel to the events of the Cultural Revolution, when tens of millions of Chinese intellectuals suffered atrociously¡ but in no goods or noble causes.
In this digital images the raft is constructed of pop bottles and littered with consumer culture refuse, from film cartons to fast food packets. In Raft n°3 he places a western style studio painter and his nude model in the center of the raft and then crowds contemporary Chinese teenagers and the Revolutionary forebears around them in a turbulent jumble »

By Michael Scott-Keeping afloat of a cunning Digital Revolution¡±

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