Born in 1980 in Changsha, China.

Central to Gao’s large-scaled installations are the themes of power, control and surveillance. Room-sized installations, akin to prisons, featuring a carnival of animal parts and ready-mades form Gao’s imaginary universe, which are in fact grounded in real-world concerns and personal experiences. « People just do so many violent and dark things to animals. From them we can see the dark side of human beings. »

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